Rarely are personal life stories, art, film, spoken word, and history combined in public exhibition. Still Present Pasts: Korean Americans and the “Forgotten War” (SPP) is an exception. It weaves these elements into a multi-media, interactive experience that lifts the silence shrouding the Korean War, a pivotal event in Korean, United States, and Korean American history. A public space of memory, the exhibit explores the human experience of the Korean conflict and its hidden but enduring personal and family legacies, and underscores the urgency to end over a half century of national division. For everyone, it evokes reflection about the United States’ role in the war, empathy for survivors, and recognition of our common interest in acting for peace. SPP embodies memories I collected from 3 generations of Korean Americans as part of a unique oral history project. SPP's conception, design, and implementation are products of an interdisciplinary collective of artists, a filmmaker, a historian, and myself, a psychologist. It is comprised of installation art, interactive art, film, archival photographs, historical markers, and oral history excerpts. SPP is currently on tour most recently showing in Seoul, Korea (www.stillpresentpasts.org). This paper summarizes the aims of the exhibit, the process of creating it, and its reception as a unique experiment in restoring collective memory of the Korean War and reclaiming public voice.
|Keywords:||Korean War, Korean Americans, Historical Trauma, Oral History, Multi-Media Exhibition, Reconciliation, Public Art|
Professor, Department of Psychology, Boston College, Chestnut Hill, USA
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